Bach Bibliography Search Result

Author : Melamed, Daniel R.
Show full details : OFF
Max number of results shown : 300
Output sorted : serially (table)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Melamed, Daniel R.	Hearing Bach's Passions.				2005	vii, 178p
	2.	Melamed, Daniel R.; Marissen, Michael	An introduction to Bach Studies.				1998	xi, 189p
	3.	Melamed, Daniel R.	J. S. Bach and the German Motet.				1995	xv, 229p
	4.	Melamed, Daniel R.	Listening to Bach: the Mass in B minor and Christmas oratorio.				2018	xx, 149p
	5.	Melamed, Daniel R.	Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248.	18cM	11	2	Sep 2014	215-234
	6.	Melamed, Daniel R.	How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow?	19cM	43	1	Summer 2019	3-16
	7.	Melamed, Daniel R.	A Tool from the Late 17th Century for Chorale Research.	AmerBachSocNL			Fall 2001	6-7
	8.	Melamed, Daniel R.	The Text of 'Gott ist mein König' BWV 71.	Bach	32	1	2001	1-16
	9.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek.	BachJb	75		1989	191-196
	10.	Melamed, Daniel R.	Mehr zur Chronologie von Bachs Weimarer Kantaten.	BachJb	79		1993	213-216
	11.	Melamed, Daniel R.; Sanders, Reginald L.	Zum Text und Kontext der 'Keiser'-Markuspassion.	BachJb	85		1999	35-50
	12.	Melamed, Daniel R.	Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen.	BachJb	88		2002	209-216
	13.	Melamed, Daniel R.	Bach und Palestrina -- Einige praktische Probleme I.	BachJb	89		2003	221-224
	14.	Melamed, Daniel R.	Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt?	BachJb	92		2006	161-169
	15.	Melamed, Daniel R.	Bachs Schwester.	BachJb	94		2008	337-341
	16.	Melamed, Daniel R.	Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina.	BachJb	98		2012	73-93
	17.	Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.	Bach & Friends: Three Reviews of Michael Lawrence's New Film.	BachNotesABS		13	Fall 2010	1-4
	18.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	19.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition.	BachPerspectives	8		2011	ix, 153p
	20.	Melamed, Daniel R.	A thirty-six voice canon in the hand of C. P. E. Bach.	BachStud	2		1995	107-118
	21.	Melamed, Daniel R. (ed.)	Bach Studies 2.	BachStud	2		1995	xiv, 238p
	22.	Melamed, Daniel R.	Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho.	BachZenshu	4		Oct 1998	88-96
	23.	Melamed, Daniel R.	Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs.	BeitrBachF	9-10		1991	277-284
	24.	Melamed, Daniel R.	Counterpoint in Mozart's 'Die Entführung aus dem Serail'.	CambridgeOperaJ	20	1	2008	25-51
	25.	Melamed, Daniel R.	Choral Unison in J.S. Bach's Vocal Music.	[ce]AboutBach			2008	53-60
	26.	Melamed, Daniel R.	Misa Kyoku, Magnificat.	[ce]BachJiten			1996	220-224
	27.	Melamed, Daniel R.	Gassho to Koraru Gakkyoku.	[ce]BachKantataNoSekai	1		2001	271-296
	28.	Melamed, Daniel R.	Gasshokyoku, Nijushokyoku, Kigakukyoku.	[ce]BachKantataNoSekai	2		2002	331-348
	29.	Melamed, Daniel R.	Gasshokyoku.	[ce]BachKantataNoSekai	3		2002	299-320
	30.	Melamed, Daniel R.	Chor- und Choralsätze.	[ce]WeltBachKantaten	1		1996	169-184
	31.	Melamed, Daniel R.	Chöre, Duette und Instrumentalstücke.	[ce]WeltBachKantaten	2		1997	201-212
	32.	Melamed, Daniel R.	Chorsätze.	[ce]WeltBachKantaten	3		1999	177-192
	33.	Melamed, Daniel R.	Cantatekoren en koralen.	[ce]WereldBachCantates	1		1995	168-183
	34.	Melamed, Daniel R.	Koren, duetten en instrumentale delen.	[ce]WereldBachCantates	2		1997	202-213
	35.	Melamed, Daniel R.	Koren.	[ce]WereldBachCantates	3		1998	176-191
	36.	Melamed, Daniel R.	Choruses and Chorales.	[ce]WorldOfBachCantatas	1		1997	155-170
	37.	Melamed, Daniel R.	Bach's St. John Passion: Can We Really Still Hear the Work--and Which One?	[ce]WorldOfBaroqueMusic			2006	235-252
	38.	Melamed, Daniel R.	Staffing J. S. Bach's St. Matthew Passion Then and Now.	Colloquium	4		Autumn 2007	145-150
	39.	Melamed, Daniel R. (ed.)	Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach.	CPEBachCW	4	6.1	2009	xxiii, 8, 132p
	40.	Goldberg, Randall E.; Melamed, Daniel R. (eds.)	Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach.	CPEBachCW	4	6.2	2011	xxx, 153p
	41.	Melamed, Daniel Richard	J. S. Bach and the German motet.	diss.			1989	x, 333 Bl
	42.	Melamed, Daniel R.	Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67.	EastmanStudM	102		2013	111-135
	43.	Melamed, Daniel R.	Two Unusual Cues in J. S. Bach's Performing Parts.	[fs]Leaver65			2007	141-146
	44.	Melamed, Daniel R.	Der Text der Kantate 'Gott ist mein König' (BWV 71).	[fs]Schulze65			1999	160-172
	45.	Melamed, Daniel R.	The Passions: Versions and Problems / Las pasiones: versiones y problemas.	Goldberg		34	Jun 2005	30-37
	46.	Melamed, Daniel R.	The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5.	HarvardPubM	22		2008	189-205
	47.	Melamed, Daniel R.	The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159).	JAMSoc	41	3	Autumn 1988	491-526
	48.	Melamed, Daniel R.	The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244.	JAMSoc	57	1	Spring 2004	3-50
	49.	Melamed, Daniel R.	J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition.	JMcol	14	4	Autumn 1996	453-474
	50.	Melamed, Daniel R.	Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren.	LeipzigerBeitrBachF	5		2002	289-308
	51.	Melamed, Daniel R.	Constructing Johann Christoph Bach (1642-1703).	MLetters	80	3	Aug 1999	345-365
	52.	Melamed, Daniel R.	Bach Revived: If Wishes Were Passions.	NYTimes			2 Apr 2000
	53.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	[p]ABS_Bethlehem			May 2008
	54.	Melamed, Daniel R.	Joh. Christoph Bach, org.	[p]ABS_California			Apr 1996
	55.	Melamed, Daniel R.	Did Bach's Listeners Analyze?	[p]ABS_Ohio			May 2014
	56.	Melamed, Daniel R.	Two Sanctus Settings by Johann Christoph Altnickol.	[p]ABS_SouthBend			Apr 2016
	57.	Melamed, Daniel R.	The Text of Gott ist mein König BWV 71.	[p]ABS_Washington			Apr 2000
	58.	Melamed, Daniel R.	Problems of Chronology, Style, and Function in J. S. Bach's Motets.	[p]AMS_Baltimore			Nov 1988
	59.	Melamed, Daniel R.	J. S. Bach and the Altbachisches Archiv.	[p]AMS_Oakland			Nov 1990
	60.	Melamed, Daniel R.	How Did J.S. Bach Teach Vocal Composition?	[p]AMS_Pittsburgh			Nov 1992
	61.	Melamed, Daniel R.; Parrott, Andrew; Fehleisen, Fred	Principles and potential for the development of the performance-academic discourse.	[p]BNUK_Cambridge			Jul 2017
	62.	Melamed, Daniel R.	Did J. S. Bach’s Listeners Analyze?	[p]BNUK_Warsaw			Jul 2013
	63.	Melamed, Daniel R.	Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century.	[p]CWolff_Harvard			Sep 2005
	64.	Melamed, Daniel R.	Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67.	[p]SMA_Glasgow			Apr 2009
	65.	Melamed, Daniel R.	Bach's Leipzig performances of the Hamburg St. Mark Passion.	[p]WK_Leipzig			Jan 2000
	66.	Melamed, Daniel R. (ed.)	Motets / Johann Ludwig Bach.	RecentResearchMBaroq	108		2001	xix, 203p
	67.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek.	SommerAkadJSBach		Almanach	1990	ii: 14 - 17